Drawing Near
By JIALEI TANG, 5/11/2016. The semester is ending and as my finals conclude one after another, my mind can draw more attention to my study that [...]
By JIALEI TANG, 5/11/2016. The semester is ending and as my finals conclude one after another, my mind can draw more attention to my study that [...]
By JIALEI TANG, 4/29/2016. What makes a city a home? As I continue refining my research question, I begin to dig into the heart of [...]
By BAILEY BAERWOLF, 3/28/2016. Can the city be hacked like an iPhone can? If the city is already produced, then is this actually the best [...]
Two positions, at either the predoctoral (ABD) or postdoctoral level, for the study of intra-Asian interactions areavailable at the Center for Global Asia at NYU [...]
As many of our readers know, ICI has been increasingly working more on issues related to religion and ecology in the Himalayas. So it is [...]
We're excited to share the latest post from ICI friend and scholar Tansen Sen in the Times of India. In this post, Professor Sen discusses [...]
The India China Institute (ICI) was recently awarded a $722,000 grant from the Ford Foundation to support the development of a new, multi-year project called [...]
We are excited to share the latest "China Man" column by ICI friend and scholar Tansen Sen from the Times of India. In this latest [...]
三角洲的地图 三尚当代艺术馆建筑与艺术工作坊 中国杭州 Mapping the River Deltas Sanshang Workshop on Art and Architecture Hangzhou, China “子在川上曰...”亚洲的哲人讲述的是河流的故事,但河流自身并不容易变成一个具体的视觉艺术主题,因为河流本是关于“变化”的。人类文明滋生于河流冲积而形成的膏腴之地,艺术考究“变化”的载体,科学追寻“变化”的规律,宇宙哲学却倾向于在“变化”的律动中将这一切统统忘却。 藉美国景观设计师维多利亚教授的展览在印度加尔各答CIMA画廊展出的机遇,我们把原本看似不相关的几个领域联系在一起:地理和水文科学,景观设计,制图术,不同文明的艺术家对他们生存世界的表现,其中我们可以看到对两条著名的河流,恒河和长江入海口三角洲的研究。 这是一个跨文类的系列展览,在杭州这一站,展览的内容同时来自艺术文献,既有作品,研究资料和相关工作坊在活动期间的创作。 “Everything flows on and on like this [...]